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    Small early 18th century oak cupboard dresser. Double paneled cupboard doors with two drawers above. Excellent colour and patination. Probably Denbighshire, Wales. Width: 50" / 127 cms Depth: 21" / 53 cms Height: 35" / 89 cms
  • 18th century Portrait of Lady Crowley. Attributed to Thomas Hudson (1701-1779) - Provenance: The Lord Luke, Odell Castle, Bedfordshire Framed Size: Width: 31" 79 cms Height: 34.5" / 88 cms
  • Large 18th century Portrait - Oil on Canvas - Young girl seated with a parakeet -  a country house in the background - a fountain playing in formal grounds Width: 46.5" / 118 cms Height: 56" / 142 cms
  • 18th century Portrait of a Lady in carved and gilded frame - attributed to John Astley (1724-1787) - Sarah Hamilton of Drumaspie, Dungannon, Co Tyrone - label on reverse - Sarah Hamilton, only child of William Hamilton of Drumaspie, married to Alexander Stuart - the portrait supposed to be by Ramsay of Edinburgh Width: 27" / 69 cms (Framed) Height: 31" / 79 cms
  • 18th Century Portrait - Oil on Canvas - Attributed to Joseph Highmore (1692-1780) Portrait of Ann Morland (1709-1791) in Period Giltwood Frame Anne Morland was the second daughter of Jacob Morland of Capplethwaite, Cumbria. Her father was a Justice of the Peace and a well known portrait of Jacob Morland with his dog, painted by George Romney in 1763, hangs in the Tate Gallery, London. Ann married William Matson of Titup Hall, Barrow in Furness, Lancashire. They had two children, Margaret and Ann - the latter married Thomas Morland (to whom we think she was related). They lived at Court Lodge, Lamberhurst, Kent. Joseph Highmore was educated at The Merchant Taylors School, London. He began his career as a lawyer but abandoned this to study art at Sir Godfrey Kneller's Academy. Highmore established a very successful practice as a portrait painted in 1715 and was described by George Vertue as being 'distinguished in the first class of those who make the best figure'. His works are represented at The National Portrait Gallery and The Tate Gallery, London Provenance: The Morland Family, Court Lodge, Lamberhurst, Kent Width: 30" / 76 cms Height: 35" / 89 cms
  • Three 18th-century pewter plates with London touchmarks Diameter: 9.5" / 24 cms
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    Large 18th century pewter pen holder with central inkwell, still with ceramic ink well Diam: 6.5" / 16 cms Height: 6" / 15 cms
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    18th century pewter coaster Diam: 4" / 10 cms
  • Oil on Canvas. Mason Chamberlain R.A. 1727-1787 - A gentleman seated in his study with his son or grandson, a greyhound at his feet and holding a trundling hoop.   Mason Chamberlain R.A. (1727-1787) began his career in a counting house in the City of London but turned to art and studied under Hayman, in whose manner he painted conversation pieces. He was a founder member of the Royal Academy, exhibiting 50 works there between 1760 and 1786. He painted the portrait of Benjamin Franklin in 1762 and their Royal Highnesses Prince Edward and Princess Augusta in 1771. His works are represented at the Philadelphia Museum of Art, The National Portrait Gallery, London, Yale NMM and the Milwaukee Museum. Provenance: Christies July 11 1984 With Thomas Agnew and Sons, London Philip Reiff, the sociologist 1984 With Mallet, London (See Label Verso) Width: 40" / 102 cms Height: 48" / 122 cms
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    18th century Oak wall or delft rack with a shaped frieze over three shelves. Width: 50" / 127 cms Depth: 9" / 23 cms Height: 44" / 112 cms
  • 18th century Oak wall rack with shaped frieze Width: 692 / 176 cms Depth: 8" / 20 cms Height: 44" / 112 cms
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    18th century Oak spice or wall cupboard - possibly Welsh. Moulded cornice over a single door, comprised of two planks Width: 23.5" / 59cms Depth: 8.5" / 21 cms Height: 29.5" / 75 cms
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