Elaine Phillips Antiques

Antique Oak Furniture & Associated Decorative Items - Member of the British Antique Dealers Association

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Home  / Current Stock (Page 6)

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  • AF28-2297
    Details
    ADDED

    English Windsor Chair

    English Windsor Chair – circa 1830 of unusual form
    Width: 23″ / 59 cms
    Depth: 15″ / 39 cms
    Height: 30″ / 76 cms Seat Height: 17″ / 43 cms

  • AF28-2329
    Details
    ADDED SOLD

    English Pig Bench – c.1800

    English/Welsh Elm Pig Bench – circa 1800 – stick legs – lovely wear
    Width: 26″ / 66 cms
    Depth: 14″/11″ – 36/28cms at either end
    Height: 16″ / 41 cms

  • AF28-2531
    Details
    ADDED

    Large 18th century Oak Farmhouse Table

    Large 18th century English/Welsh Farmhouse Table – seats 10 – cleated one piece top.
    Reversible/lift off top – over shaped brackets and square chamfered legs
    Width: 104″ / 265 cms
    Depth: 31″ / 79 cms
    Height: 31″ / 79 cms

  • AF28-2324
    Details
    ADDED SOLD

    Late 18th/early 19th century Chopping Block

    Late 18th/Early 19th century Chopping Block – wonderful shape, colour and patina
    Width: 15″ / 38 cms
    Height: 21.5″ / 55 cms

  • AF28-2362
    Details
    ADDED

    18th century Oak Table

    18th century Oak Table of Unusual Form – moulded edge top over splayed legs – good colour and patina
    Width: 21.5″ / 55 cms
    Depth: 13″ / 33 cms
    Height: 28″ / 71 cms

  • AF29-7657
    Details
    ADDED

    19th century Oak Parquetry Centre Table by Howard and Sons

    Oak Parquetry Veneered Centre Table by Howard and Sons – Circa 1880 –
    Oak – chamfered legs terminating with original integral
    brass castors – Printed paper label to underside – Howard & Sons, 27 Berners Street, London
    Stamped Howard & Sons, Berners St.
    Provenance Available by Request
    Width: 46″ / 118 cms
    Depth: 26.5″ / 67 cms
    Height: 27″ / 69 cms

  • AF27-0969
    Details
    ADDED

    Portrait of a Young Man

    Oil on Canvas. Attributed to Theophilus Clarke (1776-c.1832)

    Original Giltwood Frame.

    Portrait of Charles Gordon as a young man, dressed in fashionable Georgian attire.

    Provenance: Property of the Morland Family, Court Lodge, Kent
    Width: 28″ / 71 cms
    Height: 33″ / 84 cms

  • AF27-0977-sq
    Details
    ADDED

    Pair of 18th century Portraits

    Portrait of William Matson – Circle of William Hoare of Bath (1706-1790/99)

    Oil on Canvas in Period Carved Wood Gilded Frame

    William Matson (1719-1764) – The Matson Family resided at Titup Hall in Dalton-in-Furness, Lancashire. William married Ann , the daughter of Jacob Morland of Capplethwaite. Their grave stone can be found in the Kendal Parish Church.

    Williams Hoare of Bath R.A. – From an early age Wm Hoare excelled in Art. In the the early 1720’s he studied under Grisoni, and later in Rome under Imperiali (who taught Ramsay and Batoni) By 1739 Hoare had settled in Bath where he established a highly successful practice painting portraits in the mediums of crayon and oil. The influential Duke of Newcastle became his patron. He exhibited 22 times at the R.A.

    Hoare’s work is represented in the National Portrait Gallery and the National Gallery of Scotland.

    Provenance: The Morland Family at Court Lodge, Lamberhurst, Kent
    Width: 30″ / 76 cms
    Height: 35″ / 89 cms

  • AF27-0971-sq
    Details
    ADDED

    Pair of 18th century Portraits

    One of a Pair of 18th Century Portraits – Oil on Canvas – Attributed to Joseph Highmore (1692-1780)

    Portrait of Ann Morland (1709-1791) in Period Giltwood Frame

    Anne Morland was the second daughter of Jacob Morland of Capplethwaite, Cumbria. Her father was a Justice of the Peace and a well known portrait of Jacob Morland with his dog, painted by George Romney in 1763, hangs in the Tate Gallery, London. Ann married William Matson of Titup Hall, Barrow in Furness, Lancashire. They had two children, Margaret and Ann – the latter married Tomas Morland (to whom we think she was related). They lived at Court Lodge, Lamberhurst, Kent.

    Joseph Highmore was educated at The Merchant Taylors School, London. He began his career as a lawyer but abandoned this to study art at Sir Godfrey Kneller’s Academy. Highmore established a very successful practice as a portrait painted in 1715 and was described by George Vertue as being ‘distinguished in the first class of those who make the best figure’. His works are represented at The National Portrait Gallery and The Tate Gallery, London

    Provenance: The Morland Family, Court Lodge, Lamberhurst, Kent
    Width: 30″ / 76 cms
    Height: 35″ / 89 cms

  • AF27-0966
    Details
    ADDED SOLD

    Pair of 17th century Portraits

    Pair of 17th century Portraits of Young Ladies – Possibly Italian School – The sitters may be sisters. The fabric of their dresses, the lace ruffs and jewels are beautifully painted and in great detail. £8500 Pair
    Width: 23.5″ / 60 cms
    Height: 26″ / 66 cms

  • AF27-1028
    Details
    ADDED

    18th century Portrait of Girl

    Large 18th century Portrait – Oil on Canvas – Young girl seated with a parakeet –  a country house in the background – a fountain playing in formal grounds
    Width: 46.5″ / 118 cms
    Height: 56″ / 142 cms

  • AF27-0953
    Details
    ADDED

    Oil on Canvas

    Oil on Canvas – The Approaching Storm’ Attributed to Claude Joseph Vernet (1714-1789).

    Vernet was born in Avignon and began painting for his father, who was a decorator of carriages, when just 14 years old. He then studied in Rome under Claude Gellee, the renowned maritime artist. Gellee’s style and choice of subjects greatly influenced Vernet, particularly his representations of classical Italianate ruins. This painting contains many of the elements, colours and atmosphere of his famous work ‘A Calm on the Mediterranean’ in The Getty Museum. Vernet’s work can be seen in The Louvre, The Getty Museum and The Rijksmuseum
    Width: 55″ / 140 cms
    Height: 38″ / 97 cms

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