Current Stock

  • 17th century Low Oak Table with turned legs and central stretcher Width: 32" / 81 cms Depth: 20" / 51 cms Height: 24" / 61 cms
  • 19th century Mahogany bedside table. The front with shaped pillasters. Width: 24.5" / 62 cms Depth: 19.5" / 49 cms Height: 28" / 71 cms
  • Late 18th century Oak bedside table. Circa 1790. Shaped upstand over a cupboard with double doors. A drawer below. Width: 22" / 56 cms Depth: 17" / 43 cms Height: 28.5" / 72 cms
  • Late 19th century mahogany tray with central inlay on later stand. Ideal as a coffee table. Width: 33.5" / 84 cms Depth: 22.5" / 57 cms Height: 18" / 45 cms
  • 18th century Oak tripod table with one piece top. The elegantly turned central column supported by tripod cabriole legs. The whole being a wonderful colour and patination. Diameter: 26" / 66 cms Height: 27.5" / 70 cms
  • 18th century Oak centre table. The top with a moulded edge, chamfered legs, united by straight stretchers Width: 31" / 79 cms Depth: 20" / 51 cms Height: 28" / 71 cms
  • Painted Wooden Plinth of Corinthian Form Base 14" / 46 cms Top 10.5" / 26 cms Height: 42" / 107 cms
  • Brass chandelier Width: 15" / 38 cms Height: 15" / 38 cms
  • Set of four 19th century Aquatints after paintings by J F Herring Snr. Original colour. From a series of eight titled "Fores' Series of Mothers". Published May 18th 1854 by Messrs Fores, 41 Piccadilly, London. Engraved by J Harris.  Oak frames. The four are Duck and Ducklings, Sow and Pigs, Draught Mare and Foal,  Cow and Calf Width: 18" / 46 cms Height: 15.25" / 39 cms
  • Set of Four 19th century Coaching Prints. Hand Coloured. Originally drawn by James Pollard 1836. Published Feb 1837 by Ackerman and Co, 56 The Strand, London. Engraved by J B Campion. Maple Frames Scences during the Snow Storm December 1836 The Liverpool Mail in a snow drift The Devonshire Mail The Birmingham Mail fast in the snow The Louth Mail stopt by the snow Width: 22.5" / 57 cms Height: 16.5" / 42 cms
  • Portrait of Charles Howard of Greystoke Castle Oil on Canvas in Ebonised and Giltwood Frame Charles Howard (1630-1713) of Greystoke Castle, Cumbria. Painted here as a boy. Charles was the fourth son of Henry Frederick Howard, 15th Earl of Arundel and Elizabeth Stuart. Although it was his father’s wish that he would inherit the title, Duke of Norfolk, his brother Henry obstructed this. Charles sued Henry through the House of Lords but the case was not resolved in his lifetime. Width: 30" / 76 cms Height: 36" / 92 cms
  • Oil on Canvas in Giltwood Frame Attributed to Joseph Highmore (1692-1780) Portrait of a young lady in blue lace bodice, holding a bird with her King Charles spaniel at her feet. Highmore was educated at Merchant Taylors School and studied to become a lawyer. He abandoned this for painting and trained at St Martin’s Lane Academy and set up practice in 1715. He continued to study in Godfrey Kneller’s Academy and became one of the most accomplished portrait painters of his age. Highmore was capable of painting with the greatest refinement. Provenance: The Priory, Isle of Wight. Represented at The National Portrait Gallery, London, The Tate, Yale Width: 50" / 127 cms Height: 60" /152 cms
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